The mysteries of Algiers
No romance or no physical intimacy at all.
Closed door. No anatomical or crude language.
Estimated from the blurb · 0 reader votes
Tropes
None listed yet.
Content warnings
Blurb
'Entertaining and very nasty, this calculatedly intellectual comedy succeeds well as an unheroic quest starring Philippe, an interesting monster of disarming modesty.' The Listener 'Robert Irwin's third novel confirms that, whatever his other main concerns may be, he has thoroughly mastered the art of telling a story. In a plot which snakes and twists, the reader cannot let his concentration drop for a moment... At times the death-defying narrow escapes are firmly in the tradition of James Bond... as well as being a rattling good yarn, this is a study of moral bankruptcy of those who pursue abstractions through violence..very successful.' The Times Literary Supplement 'It is a gruesome black comedy, whose blackness is so intense as to be almost unreadable - if it weren't so well written.' Time Out 'What separates Irwin's story from the usual spy thrillers is not only his wit and satire but also his verbal pyrotechnics.' The Washington Post 'The two dozen authors collected here span the 19th century, from La Harpe in the aftermath of the Revolution to Huysmans' fin de siecle decadence. Poe, Hoffmann and the English Gothic novel all fed the imagination of the French fantasists, who frequently added a touch of Gallic wit to the heady brew of vampirism, ghostly gore and sexual misbehaving. Hale provides a scholarly introduction to this highly enjoyable selection of strange tales.' Scotland on Sunday
Read it? Rate it
The chocolate lovers' wedding
Also ensemble-driven with sharp British wit, but swaps moral bankruptcy and violence for warm friendship comedy and a guaranteed happy ending.
The Chocolate Lovers' Christmas
Keeps the dry British humour and tangled interlocking plotlines, though far lighter: grief instead of murder, and cosy festive comfort over black comedy.
Her Private Avenger
Another murder plot with a suspect everyone's convicted in advance, twisty and violent, but this one centers a romance and delivers a hopeful ending.
Paris for One and Other Stories
Shares the foreign-city setting and a protagonist reinventing herself abroad, but gentle and romantic rather than cynical, violent satire.
Foreign Fruit
Shares the sharp eye for a closed society's hypocrisies and postwar period setting, though the tone is warm and character-driven rather than blackly comic.
The Queen of Nothing
Also follows an amoral schemer navigating betrayal and political murder, but in a fae court, with slow-burn romance instead of nihilistic satire.